Writing The Narrative Non-Fiction Story

This is what this blog is really about.

E.B. White's "Once More To The Lake"

credit
They don't get any better than this. In this essay White writes about returning with his young son to the rural Maine lake where his father a generation earlier always took the family for a month-long vacation every year. Surprisingly little has changed. Just as he remembered, White once again sees the small waves chucking the rowboats under the chins, the eternal dragonflies that land on the tips of the fishing poles, the old road through the dusty summer field, the tennis court net "sagging" in the noonday heat, and the shadows that "double the attendance" for a school of minnows in the lake shallows. What he doesn't expect though is the  vertiginous feelings that sweep over him when he takes his son fishing in a row boat and suddenly can't remember whether he's his father's son or his son's father. By the end the reader realizes that, in spite of early appearances, this is no nostalgic travel piece down memory lane; it is rather a deeply moving evocation of loss, longing, aging and death.

"Best Magazine Articles Ever"

Some of these are really very good.

Buster's of South Pasadena

The best local cafe for coffee, pastry and reading narrative non-fiction.

The Perfect Storm on Amazon

The author wasn't present for the powerful ending of this book (the fishing boat sinks). Nor did he know any details of the sinking beyond what could be inferred from the storm itself and the knowledge of how small boats founder. All that not withstanding, Junger, an unknown writer at the time working at a manual job, wrote a terrific book which led him on to great fame.

Don't Waste Your Time On Stories That Can't Possibly Work

       I sometimes think creative thinking and critical thinking are mutually exclusive. When writers are most creative is when their judgment is most poor. This isn't a bad thing. Trying to find a idea for a non-fiction story is much like brainstorming. You don't want to be critical when you're trying to be creative. New ideas are like soap bubbles. They pop under the slightest critical pressure. 
       Once you have a new idea firmly in mind, that's where judgment comes in. Some ideas are just not going to work--either for practical reasons or conceptual ones. Here are a few story ideas you might want to avoid:

Writing With Attitude

There's a good reason why stand-up comics communicate so much better with their audiences than newspaper reporters do with theirs. They have attitude. . . 

Eight Good Non-Fiction Books


Waiting For The Lede To Smile Demurely in a Negligee

Okay, you've been researching a story for weeks. You've tied up nearly all the loose ends. You can't think of anybody else to call or visit or any more tiresome records to plow through. You must be ready to write your story? Right?
     I'm not so sure. Oftentimes, I've found, when I'm really ready to write my story (knowing my material well enough that I'm totally in command), the lede just pops into my head without warning. I'll be walking down the street (thinking of nothing in particular) when suddenly the lede arrives. Then it’s time to write. Before then, you just spend a lot of time in front of the computer spinning your wheels. 
     Another thing, you cannot will good ledes in existence (by lede I mean more than an opening sentence, I mean the whole beginning to your tale, the thing that implies everything else, that sets the story in motion). You have to wait for the lede to come to you. 
      So walk around, try writing the story in your head (much quicker than using a pencil or keyboard), play with organization. Then one day when you're standing there watching the squirrels run down the power lines the lede will suddenly come to you as a willing maiden. 
     At that point, the hard work is over. All you have to do is do the deed--write it down, polish the transitions, correct the spelling and submit the expense account.

Revenge of the Nerds

Halsey's Typhoon

This book has a great opening scene on Halsey's Court of Inquiry, spends far too much time on the hurricane and the terrible ordeal of the sailors who were forced to abandon ship in the teeth of one of the worst typhoons on record, and then lets Halsey off the hook (as a feckless Navy did itself). The book would have been far better if the authors' editor had cut the hurricane coverage in half. Strangely, the authors spend half a chapter on Nathaniel Bowditch's "Practical Navigator" apparently for the sole purpose of noting that Halsey's fleet meteorogist had a "well-thumbed" copy of the book on his shelf.  Still a very well-written book about a highly-talented and deeply-flawed American hero.

Dispatches

When I first read this book I couldn't imagine how Michael Herr managed to take such great notes of conversations in the heat of battle (or anywhere else). Then when I later talked to Herr in person (for a story for the LA Times) he told me that a lot of the people in his book were "composite characters." He also said he made up a lot of the names of the units and the locations of the places they fought. This was no secret, he said. In France the book was listed under fiction. My first thought on hearing this: "Oh no! Say it an't so, Joe!" But, not withstanding the book's lack of journalist accuracy, it's still greatly rewarding to read, as long as you realize what you are reading isn't always literally true.

Don't Worry About What People Might Think. Just Write The Story.

I remember when I did my first major magazine article 35 years ago. It was entitled "Nazis Among Us" and was about a (pathetic) group of American losers who who professed to admire Hitler and the German Nazi Party of WWII. 

What If It Happened Here?


"On Wednesday, March 5th, around 5:30 p.m., a single-engine Cessna 172 passes over the Santa Monica Mountains, just west of the 405 freeway heading southeast at 3,500 feet. Over the next 12 minutes it will fly over Brentwood, LAX, Hawthorne,  and Torrance, trailing all the while a fleeting white cloud, like a mini-rain squall. Despite the plane's flying right over the middle of LAX, no one on the ground even notices it, or the fact that it has just delivered a near-invisible cloud of 10 trillion of anthrax spores, each one so infinitesimally small and fine it's hard to believe they will kill 38,000 people in the most gruesome way over the next ten days. . . . "

Ditch the Tape Recorder

Whenever possible, avoid tape recorders or taking notes during interviews. It turns what should be an intimate conversation into a formal interview, which is the last thing you want. Even if people are fully comfortable being recorded (and most people are not) the recorder tends to tie them down to a particular spot. Sometimes the best things you learn are those informally tossed off while chatting in the kitchen, drinking coffee and leaning against the counter, walking down some woody path or driving through the countryside.

Mark Bowden's "Desert One Debacle"


Good clear straightforward writing by someone who knows what he is talking about. For someone who wasn't there, his detail is astonishing. I always regretted that the mission failed.

Love In Venice

"Even Bob Greenfield's best friends never tried to defend him on the grounds that he wasn't a madman—he had wild, electric-blue eyes, a satyr's visage, a habit at parties of going up to women and asking them "Let's fuck."
       "And yet, desperate as he was for the company of women, he had little luck—he was too needy and intense. He'd gone years without sexual intercourse. He didn't understand the ordinary social conventions. He hit on women in front of their boyfriends. He dashed off erotic poems and handed them to strangers. Once in a restaurant, he saw two waitresses being hugged and patted on their backsides by old friends and then couldn't understand why they took such offense when he tried to pat their backsides too . . . "

Finalist--Best Feature Article of 2007--When People Die in Katrina, You Don't Bring Them Back By Prosecuting Innocent People

This is not so much a non-fiction short story as a great magazine article but it does illustrate one factor that makes any story great--an ethical dilemma. Also, the writer must be congratulated for his observations and interviews. One reservation, the writer gives his (strong) opinion on the matter at the end. Not only does it ring the first false note in this otherwise impeccable piece, it isn't necessary. We know the the writer's point of view long before we gets to the end. It's carrying coals to Newcastle to remind us again.

The Single-Mom Murder


Well observed, lively writing. The author has a great eye of status details. I won't tell you who did it.

Ragtime isn't a non-fiction novel but it easily could have been

Much of Ragtime is constructed and written like a non-fiction novel (and some parts, like the sections on Houdini, are almost completely non-fiction). The author, E.L. Doctorow, describes what people did and said and, unlike most novels, only briefly--albeit to great effect--goes inside their heads to say what they felt. The result is a novel that seems as if it really happened (a true story). The best part is that none of of what Doctorow does here is outside the reach of a non-fiction writer (though having his talent is a great asset) who is willing and able to do the reasearch.

When Good Stories Die On Us

Sometimes good writing is not enough.










Nabokov on the difference between narrative and plot

Nabokov, it will come as no surprise, had the most illuminating remarks about narrative. Paraphrasing E.M. Forster, he wrote that "the term 'narrative' is often confused with the term 'plot,' but they're not the same thing. If I tell you that the king died, and then the queen died, that's not plot, that's narrative. But, if I tell you that the king died, and then the queen died of grief, that's plot."

Robert Vare, the Nieman Foundation

Writing Resource List From the Poynter Institute

A list of books and articles on non-fiction writing complied by Poynter's Chip Scanlan.

In Cold Blood

This book was Truman Capote's greatest achievement, catapulting him from a minor writer to a full fledged society star. Unfortunately, he repeatedly lied to his subjects to keep them talking and then when it was time to write the book he just flat out made up important parts (a task made easier by his not using a tape recorder or a notebook when conducting  interviews). When his book was subsequently made into a movie one of the police investigators who worked on the case walked out of the premier dismissing it as "a pack of lies."

Joy of ReWrites

when writing is actually fun

How Can You Waste Your Time Writing About Murder While Ignoring Global Warming, Income Inequality and the Need to "Level the Playing Field?"

This is almost too easy. I know from having done this for the last 40 years that the best non-fiction stories are never about issues, per se. At the very least they are about people involved with those issues and at best they are just about people trying to cope with the awful terror of the human condition. Politics have nothing to do with it.

Is This A Good Candidate For a Non-Fiction Story?

If you're like me we both want to do the same thing--write powerful dramatic non-fiction stories that tear the heart, boil the blood, and turn into award-winning films that earn the writer fame, riches and the love of beautiful women. Now here's a LA Times news story that seemingly would work. Or would it?

Ghost Town: A Venice California Life

How long does it take to research a non-fiction book? Pat Hartman took six years to research hers (and she apparently didn't waste a minute). This book hammers a stake through the notion that all we have to do to cure racial tension is mix everyone up in a big diverse salad and the result will be the promised land. If there were any justice in the world, this book would be required reading at the UCLA School of Management and the Communications School at USC.

Out of the Universe of Non-Fiction Stories Out There How To Pick The Right One To Write About

You can't make a non-fiction story out of every article you see in the paper. You need some criteria to weed out the ones that will never work no matter how much effort you put into them.

Should A Writing Instructor Sleep With A Student Who Shows Up On His Doorstep With A Bottle of Merlot In Hand?

Absolutely not!

Anne of the Shining Eyes

Writing about yourself in the third-person--an (only somewhat fictionalized) story telling how to do it

Black Hawk Down

One of the great books of war reporting.